展览时间：2017年6月29日-7月31日
开幕酒会：2017年6月29日17-20点
地址：66 rue René Boulanger 75010 Paris
策展人：东门杨 程小牧
每一次身体的移动都包含着“停留与占领”，无论旅行、游览、客居还是迁徙、逃亡、流浪，我们在某个地点或短或长的停留，终将成为某种意义上的占领。因为一旦进入一个空间，就意味着改变固有的人与环境的关系，像一个入侵者，不仅占据空间中的位置，改变固有的风景和视野，同时也带来心理上的波动与失衡。我们停下脚步，所占领的不仅仅是脚下的寸方之地，也导致他人与自我的心理关系的改变。这种改变并非单向性的，占领者也面临着陌生环境的挤压，他与外界及他人之间形成隐秘的互动。
“停留与占领”——艺术家娜布其DawanArt巴黎驻留项目（5月5日-7月12日）的主题，在某种程度上，延续了她一直以来对主体与空间关系的关注，以及由此引发的对城市风景的探讨。这种探讨在2015年雕塑个展“平行”和2016年上海双年展的装置“陌生的风景”中都可以看到。这一次，她将这种探讨延伸至巴黎。无家可归的人乞讨时放在面前的杯子；在咖啡馆露天座捕捉到的行人的脚步；街心公园里各种嘈杂声音的采样……她将这些“停留与占领”的象征物重新组合、配置，在展览空间中，将这种紧张的、言说不尽的心理互动再现出来。
娜布其并不想对此做出判断，只是让这种紧张悬置。就像胡里奥·科塔萨尔在小说《被占的宅子》中描述的那样：“我们谛听着那些嘈杂声，清楚地觉察到那声音是在橡木门的这一边，在厨房和浴室里，或者几乎就在我们身边那道走廊的拐弯处。”▧
娜布其，出生于中国内蒙古，2013年毕业于中央美术学院，获硕士学位。现工作生活于北京。近期个展包括，《平行》，C-Space，中国，北京（2015年）。近期群展包括，《龙肝凤脑》，OCAT上海，中国（2016）；第十一届上海双年展（2016），中国，上海；第11届光州双年展，韩国，光州（2016年）；《薄雾》，Thomas Erben Gallery，美国，纽约（2016年）；23号院异客，激发研究所，中国，北京（2015）；黑侏儒/上，星空间，中国，北京（2014年）；黑侏儒/下，星空间，中国，北京（2013年）等。
娜布其的作品体现了对于“物体”的思考的延伸，探索着以物体为中心的本体论：我们周遭的物体并不因为它们与人类形成的关系而存在，它们同时也独立地存在于人类感知之外。她强调这些物体及组合的无目的性，从而显出这些物体本身的存在，以及它们附有的力量。它们不为目的说话，也不为某个特定空间而存在。
然而，这些物体之间的关系持续在一种过程当中。作品永远处于“摆放”的过程里，而它们之间的相互关系亦不断在增加或减少中调整，这种不稳定性，不让雕塑陷入“占领空间”的功能性及目的性，令作品本身的存在能通过更纯粹的呈现方式而变得更独立、自治。
DawanArt“巴黎驻留项目”
DawanArt“巴黎驻留”每年邀请两到三位中国当代艺术家（媒介不限）在巴黎市中心近共和广场的工作室生活2-3个月，支持艺术家介入当地艺术生态，关注艺术家的创作在当下场域的发生，在驻留期间为艺术家组织作品讨论沙龙、工作室参观并策划一次展览，以期达到艺术家与法国艺术界、批评界及公众的互动。通过对艺术家的审慎选择及驻留期间切实有效的交流对话，推进我们对当代艺术的认识与思考，突出个体感知、创造力以及经得起东西语境转换的艺术品质，为转变西方在中国当代艺术接受方面的成见和既定话语、拓展平等对话的渠道而做一份切实的工作。近期的驻留艺术家包括谢其、范西、娜布其、刘辛夷（2017年11月-2018年1月）。
本次娜布其的巴黎驻留项目得到Galerie Liusa Wang的大力协助，在此特别鸣谢！
NABUQI
Stay and Occupation
Every displacement of the body involves “staying and occupation.” Whether traveling, visiting and residing or migrating, in exile or wandering, every long or short-term stay ultimately becomes some sort ofoccupation. One’s entry into a space implies changing the habitual dynamics between individuals and their environment, just like an intruder occupies aphysical location, changing its outward appearance while also bringing psychological fluctuations and imbalances. Every time we stop movement, the space we have occupied is not only the terrain under our feet, but also the mental space we share with others. This change does not only occur in one direction: the occupier must also face the tensions of an unfamiliar environment, as well as the impalpable interactions between him or her, the outside world and others.
“Stay and Occupation” — the theme of artist Nabuqi’s residency program at DawanArt in Paris (05/05-31/07) — is on some level a continuation of her perennial interest in the relationship between subject and space, that has further evolved into an exploration about the urbanlandscape. These questions were dominant in her 2015 sculpture solo exhibition Parallel and her installation Strange View participating in the 2016 Shanghai Biennale. Now, Nabuqi has extended her reflection to Paris. Alms cups placed infront of those who are forced to call the street their home, footsteps captured from café terraces, sound clips collected from the noise of Parisian parks — Nabuqi has reconstructed and reconfigured these symbolic objects of “staying and occupation” in this exhibition space, giving form to the intense and ineffable inner movements of a passing guest.
Nabuqi does not seek to pass judgement; her intention is to allow these tensions tohang in space, evoking this description from Julio Cortázar’s short story HouseTaken Over: “We stood listening to the noises, growing more and more sure thatthey were on our side of the oak door, if not the kitchen then the bath, or inthe hall itself atthe turn, almost next to us.”
Curators: WANG Yan Hui
CHENG XiaoMu
NABUQI
Born in Inner Mongolia, China in 1984, graduate from the Central Academy of Fine Artsin sculpture studio in 2013, Nabuqi works and lives in Beijing. Her solo exhibitions include“Parallel”, C Space, Beijing, 2015;“Static ”, Eastation Gallery, Beijing, 2012 and her group exhibitons include“Dragon Liver, Phoenix Brain”, Shanghai OCAT,2016;“Why Not Ask Again” 11th Shanghai Biennale 2016;“The Eighth Climate (What Does Art Do?)”,11th Gwangju Biennale, Gwangju, KR, 2016;“Soft Haze”, Thomas Erben Gallery, New York, US, 2016;“The Aliens of Courtyard 23”,Institute forProvocation，Beijing, 2015;“Black Dwarf／Part Two”, Star Gallery, Beijing, 2013;“Black Dwarf／Part One”, Star Gallery, Beijing, 2013.
Nabuqi’s contemplation on the ontology of objects is reflected in her works: objects surrounding us also exist independently of human perception. She puts emphasison the meaninglessness of the objects, as well as the combinations of objects, whereby accentuating their being-ness and embodied energy. They do not exist to serve certain purposes, nor do they only exist in specific spaces.
However, the relationship between these objects is in a constant state of flux. They are always in the process of “placement”, where their interrelationship is adjusted through means of addition and subtraction, this state of fluidity, to prevent these sculptural works from falling into the finality of serving the mere purpose of “occupying space”, and to let them exist more independently and autonomously through traditional methods of presentation.
DawanArt Residency Program in Paris
In 2016 DawanArt started a residency program for Chinese artists in contemporary art. These residences offers the possibility to use an apartment in the center of Paris to dedicate oneself to one’s work for a period of two to three months. During the artist’s residency, DawanArt organizes interviews, “open door” studio visits and anexhibition in order to better connect the artist with the art world, critics and any member of the public interested in France.By sharing our knowledge and reflection on Chinese contemporary art through our careful selection of artists, we aim to showcase the artists’ individual sensibility, his or her creative liberty and also the quality of the artwork itself while working to present vision of Chinese contemporary art in the West departing fromthe established stereotype. Artists XIE Qi and FAN Xi have participated in our residency in 2016, and in 2017 we welcome Na BuQi in the summer and LIU XinYi in the fall.
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